Allegrostrings
Restoration sales & supplies
violin, viola, cello & bows
Musicians for whom regular inquiries have been requested ~
London Conservatoires: The Guildhall School of
Music, The Royal Academy of Music, The
London College of Music, Trinity College of Music
and The Royal College of Music
Junior Music Schools: The Royal College of Music,
The Royal Academy of Music, Questors Young
Musicians and Ealing Junior Music School
Teachers: private and peripatetic
Orchestral and Chamber Music professionals:
members of London Orchestras and the English
National Opera and well-established string quartets
The opportunity to draw on recent insights in the field
of instrument accoustics in conjunction with
centuries old knowledge, is of particular interest and an
area for which this being furthered
with several colleagues, currently being undertaken.
The results of this are anticipated for future
implementation into new instruments and optimising
the set-up of existing ones.
Having studied at the International School of Violin Making Newark, in 2003 an opening became available
to work as principal outworker for one of oldest instrument firms. From 2013 services to
private clients constituted the majority of work undertaken, this having remained the
case until the present.
Having studied at the International School
of Violin Making Newark, in 2003 an
opening became available to work as
principal outworker for one of oldest
instrument firms. From 2013 services to
private clients constituted the majority of
work undertaken, this having remained the
case until the present.
Musicians for whom regular inquiries have been
requested ~
London Conservatoires: The Guildhall School of
Music, The Royal Academy of Music, The
London College of Music, Trinity College of Music
and The Royal College of Music
Junior Music Schools: The Royal College of Music,
The Royal Academy of Music, Questors Young
Musicians and Ealing Junior Music School
Teachers: private and peripatetic
Orchestral and Chamber Music professionals:
members of London Orchestras and the English
National Opera and well-established string quartets
The opportunity to draw on recent insights in the field
of instrument accoustics in conjunction with
centuries old knowledge, is of particular interest and an
area for which this being furthered
with several colleagues, currently being undertaken.
The results of this are anticipated for future
implementation into new instruments and optimising
the set-up of existing ones.
